A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso s…
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso several stickers. At top white with black printing “THIS PAINTING HAS BEEN DONATED TO THE PERMANENT COLLECTION OF THE WHYTE MUSEUM OF THE CANADIAN ROCKIES AT BANFF. IT IS A GIFT FROM THE ARTIST, ROBERT GUEST OF GRANDE CACHE. 2012.” Sticker middle right is yellow with black print, “ CAUTION! HELP AVOID FADING: Display original artwork out of direct sunlight or other strong light, and away from heat or moist conditions!” Bottom left label, white with black printing, “#4. Wildfires./2011” NEW OILPAINT SERIES - 8X10 “ PANELS AT GRANDE CACHE, BY R. GUEST.” Bottom left sticker, blue with black print, see artist bio.
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of cloud…
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of blue, above which there are a series of vertical forms in green, blue and grey which could represent trees. The artist’s signature is in the brhc in orange paint. Au verso, written in black ink in the tlhc, “49/W”.
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mo…
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mottled green and beige. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “49/X”.
An oil sketch of a mountain landscape. The primary colours used are grey, purple, green and beige. From the left side of the image raises a grey mountain in light and dark grey sections. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that sugg…
An oil sketch of a mountain landscape. The primary colours used are grey, purple, green and beige. From the left side of the image raises a grey mountain in light and dark grey sections. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of grey-blue, above which there is a line of green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “49/Y”.
A highly varnished painting of Boulder Pass. At the bottom of the image there is snow that sweeps up the right side of the image and caps a rocky cliff. The snow is quite yellow at the centre of the image but becomes shadowed and dark in the bottom right corner. A lower snow-capped cliff is in t…
A highly varnished painting of Boulder Pass. At the bottom of the image there is snow that sweeps up the right side of the image and caps a rocky cliff. The snow is quite yellow at the centre of the image but becomes shadowed and dark in the bottom right corner. A lower snow-capped cliff is in the lower left corner. It forms a pass between it and the cliff on the right. The sky is quite dark at the top of the image but quite cloudy and grey-yellow lower down at the centre of the image. The vantage point makes the viewer feel as if they are peering over the ledge of a cliff and that all that is visible is sky.
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with ver…
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with vertical lines on the right of the piece. The artist’s signature is in the brhc in red paint. Au verso, written in black ink in the tlhc, “45/P”.
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. …
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “45/T”.
(a) portrait of Dorothy Carleton facing the viewer, her face in the top 1/3 and shoulders fade into the prominent wood grain, the bottom 2/3 is lightly painted white dress on wood grain. There is ar rainbow in top left corner to represent Dorothy’s statement of “living at the end of the rainbow”, t…
(a) portrait of Dorothy Carleton facing the viewer, her face in the top 1/3 and shoulders fade into the prominent wood grain, the bottom 2/3 is lightly painted white dress on wood grain. There is ar rainbow in top left corner to represent Dorothy’s statement of “living at the end of the rainbow”, the street she lived on in Banff with her family according to painter Tosh.(b) 142 x 30 cm white silk panel with black typed inscription
An oil sketch of a mountain landscape. The primary colours used are blue, green, purple and beige. The sky is a solid wash of blue, and the remainder of the work is a mixture of shades, prominently green on the left, beige closer to the sky, and purple mixed with green on the right. One of the moun…
An oil sketch of a mountain landscape. The primary colours used are blue, green, purple and beige. The sky is a solid wash of blue, and the remainder of the work is a mixture of shades, prominently green on the left, beige closer to the sky, and purple mixed with green on the right. One of the mountains on the left is highlighted with a stroke of orange. The glacier is in the centre right of the image. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/A-3”.
An oil sketch of a mountain landscape. The primary colours used are green, yellow, purple and pink. The foreground is composed of trips of white and beige which are punctuated by five vertical green and yellow lines. The majority of the background is the mountain depicted in green, pink and yellow …
An oil sketch of a mountain landscape. The primary colours used are green, yellow, purple and pink. The foreground is composed of trips of white and beige which are punctuated by five vertical green and yellow lines. The majority of the background is the mountain depicted in green, pink and yellow tones. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “48/U”.
An oil sketch of a mountain landscape. The primary colours used in the painting are green, blue, brown and red. The image is impressionistic with thick, visible brush strokes. The viewer’s top left corner is blue and extends across the top of the of the painting, narrowing until disappearing in th…
An oil sketch of a mountain landscape. The primary colours used in the painting are green, blue, brown and red. The image is impressionistic with thick, visible brush strokes. The viewer’s top left corner is blue and extends across the top of the of the painting, narrowing until disappearing in the right top corner. The rest of the painting is dominated by a largely green landscape. The artist’s signature is in the brhc in beige paint. Au verso, written in black ink in the top left-hand corner, “48/V”.
An oil sketch of a mountain landscape. The primary colours used are blue, beige, green and pink. The centre of the image presents a beige mountain with pink highlights and a purple base. The sky is primarily dark blue, with grey clouds directly above the mass of the mountain. The lower third of the…
An oil sketch of a mountain landscape. The primary colours used are blue, beige, green and pink. The centre of the image presents a beige mountain with pink highlights and a purple base. The sky is primarily dark blue, with grey clouds directly above the mass of the mountain. The lower third of the work is green. The artist’s signature is in the brhc in green paint. Au verso, written in black ink at the tlhc, “48/X”.