Located in the center and filling most of the image area is an Inuit dancer. He stands with his back toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His t…
Located in the center and filling most of the image area is an Inuit dancer. He stands with his back toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His tunic has fringes at the sides and bottom and he has a decorative strip around the top of his mukluk.
Fonds consists of materials pertaining to Ben Gadd's personal life and career as an environmental researcher, educator, interpretive guide, publisher, public speaker and author, ca.1956-2018. Fonds includes maps, research materials, publication notes/drafts, correspondence, contracts, photographs, …
ca. 7.9 metres of textual records -- ca. 274 maps -- 29 VHS tapes -- ca.15 discs with digital files -- 21 cassettes -- photographs -- oversized materials -- USB stick with 15 sldeshows
History / Biographical
Ben Gadd (1946-) is a retired naturalist, guide, geologist, instructor, freelance writer and award-winning author based in the Canadian Rockies.
Ben was born in Colorado Springs, Colorado in 1946. He met his wife, Cia (Langdon) Gadd at Colorado College in 1965, and the couple married four weeks later. Ben and Cia had two sons, Will and Toby. Ben and his family relocated to Jasper in the late 1960s. Ben later attended the University of Lethbridge and graduated with a Bachelor's degree in Earth Science in 1972.
Between 1976 and 1980, Ben taught classes at Mount Royal College and the Southern Alberta Institute of Technology; he later taught additional classes at Grant MacEwan College and Lakeland College. From 1981, Ben also worked as a seasonal naturalist/guide for Parks Canada. Ben left Parks Canada in 1985 to start an independent naturalist guiding business with Cia based in Jasper and other parts of the Canadian Rockies, which the couple continued to operate for over two decades.
Ben published his best-known work, "Handbook of the Canadian Rockies", through his publishing company Corax Press in 1986. The second edition of "Handbook of the Canadian Rockies" received multiple awards after its release in 1995. Ben's fiction book, "Raven's End" won the title of Best Canadian Rockies Book at the Banff Mountain Film and Book Festival in 2001 and became a Canadian bestseller. Overall, Ben has authored or co-authored 11 books and received nearly one dozen awards for his achievements as a writer, researcher and guide.
Ben continued to lead guided hikes and school programs until his retirement in 2016.
Scope & Content
Fonds consists of materials pertaining to Ben Gadd's personal life and career as an environmental researcher, educator, interpretive guide, publisher, public speaker and author, ca.1956-2018. Fonds includes maps, research materials, publication notes/drafts, correspondence, contracts, photographs, video and sound recordings, and other related material. Materials donated in 2024 include one USB stick containing
Notes
Ben Gadd fonds arrangement:
Series I : Personal records
- Subseries A : Travel guides and maps
- Subseries B : Education and early writings
- Subseries C : Personal interest files
- Subseries D : Other personal and collected
Series II : Research and publication records
- Subseries A : Handbook of the Canadian Rockies
- Subseries B : Other publications
Series III : Professional records
- Subseries A : Parks Canada Records
- Subseries B : Interpretive guiding
- Subseries C : Teaching records
- Subseries D : Other contracts and projects
Series IV : Legal and financial records
- Subseries A : Legal records
- Subseries B : Financial records
File consists of 2 printed paper copies of older hand-illustrated works. Pertains to a copied 1947 blueprint of Connaught Tunnel depicting burn damage on tracks from an accident that year; and a copied hand-drawn map of Deutchman Cave from 1902, with annotations bottom right (copied from the origin…
File consists of 2 printed paper copies of older hand-illustrated works. Pertains to a copied 1947 blueprint of Connaught Tunnel depicting burn damage on tracks from an accident that year; and a copied hand-drawn map of Deutchman Cave from 1902, with annotations bottom right (copied from the original).
Notes
Items were stored together in a poster tube labelled:
"Canadian Pacific
Blueprints - CPR Passenger Train in Connaught Tunnel
- Nakimu Caves at Glacier"
File consists of 5 textual items, various authors. Content pertains to a copy of 'The Last of the Buffalo' given to Nicholas Morant in 1940 by Norman Luxton; an Illustrated booklet hand-drawn by Cyril Harris for Nicholas and Ivy Morant; a copy of 'Paintings from the Wild' by Clarence Pillenius; a 1…
File consists of 5 textual items, various authors. Content pertains to a copy of 'The Last of the Buffalo' given to Nicholas Morant in 1940 by Norman Luxton; an Illustrated booklet hand-drawn by Cyril Harris for Nicholas and Ivy Morant; a copy of 'Paintings from the Wild' by Clarence Pillenius; a 1946 journal publication containing a poem written by Mollie Morant; and a copy of 'Weathered Wood' by F.O. 'Pat' Brewster, signed.
Storage Range
In file box M300 / III / D / 5 / 1 to M300 / III / D / 5 / 11
Drawn lightly are two bison running toward each other ready to bang heads. Under foot you can see the suggestion of ground represented by a few lines. One bison is running from the upper left corner and the other is running from the center right.
Drawn lightly are two bison running toward each other ready to bang heads. Under foot you can see the suggestion of ground represented by a few lines. One bison is running from the upper left corner and the other is running from the center right.
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms rais…
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms raised and between the rider and figure to the right is a silhouette of another horse and rider.Au verso in pencil “COUP” the word “SOLD” in a rectangle, to the right of that “Archives of the Cdn” and above that the number “60” encircled and then an “X” to cross it out
Fonds consists of cartoon drawings by Dermot Kennedy pertaining to construction of the Banff Windermere Highway. Textual item is mock-up of booklet titled Camp 51, prepared by J. R. Webb, 1974
Dermot Kennedy was born in Ireland, ca.1930, and came to work for the Canada Department of Public Works at Camp 51 on the Banff-Windermere Highway in 1956. He worked under J. R. (Jim) Webb, Resident Engineer, and gave Webb some of the numerous cartoons of survey life he sketched. Kennedy left the area in 1958 to work for Disney Enterprises and returned to Ireland, ca.1960
Scope & Content
Fonds consists of cartoon drawings by Dermot Kennedy pertaining to construction of the Banff Windermere Highway. Textual item is mock-up of booklet titled Camp 51, prepared by J. R. Webb, 1974
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear backgro…
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear background behind the figures.
File consists of textual records pertaining to trips led by the Trail Riders of the Canadian Rockies. Includes an annotated skit performed on a 1982 trail ride, drafts of possible content for newsletters, freelance writing samples, and accounts of specific trail rides. Most items list author(s) and…
File consists of textual records pertaining to trips led by the Trail Riders of the Canadian Rockies. Includes an annotated skit performed on a 1982 trail ride, drafts of possible content for newsletters, freelance writing samples, and accounts of specific trail rides. Most items list author(s) and date. File also includes several annotated sketches depicting trail riders.
Notes
File contains duplicates which have been attached to each other
Fonds consists of 27 limited edition prints of pen and pencil drawings by Glen Boles, 1994-2002. Content of prints include Mt. Assiniboine, Mt. Fay, Mt. Louis, Mt. Alberta, Abbot Pass & Victoria Glacier, Snowpatch Spire, Howser Spires, Mt. Finger, Three Sisters, Tower of Babel, Eisenhower Tower, Mt…
Glen Boles (1934-2022), was born in St. Stephen, New Brunswick and moved to Calgary, Alberta in 1953. In 1957 he was persuaded to climb with co-worker and mountain guide Heinz Kahl, a native Bavarian. Heinz Kahl and English climber Brian Greenwood introduced Boles to more difficult climbing. Boles has climbed extensively in the Rockies, summiting over 400 peaks including many new routes and first ascents. He has also climbed in the Interior Ranges of British Columbia as well as the St. Elias Range of Alaska and the Alps. Boles is also an avid skier and spent 13 years on the Canadian Ski Patrol System and is a member of the Ski Friends program in Lake Louise.
Boles retired from the City of Calgary Waterworks Engineering Division in 1991 after thirty-five years employment. Boles and his wife (married in 1965) reside in Cochrane, Alberta. From his mountain experiences, Glen has developed an interest in photography, drawing and writing and has co-authored "The Climbing Guide to the Canadian Rockies-South" and "Place Names of the Canadian Alps" with Bill Putnam and Roger Laurilla.
Scope & Content
Fonds consists of 27 limited edition prints of pen and pencil drawings by Glen Boles, 1994-2002. Content of prints include Mt. Assiniboine, Mt. Fay, Mt. Louis, Mt. Alberta, Abbot Pass & Victoria Glacier, Snowpatch Spire, Howser Spires, Mt. Finger, Three Sisters, Tower of Babel, Eisenhower Tower, Mt. Stephen, Bugaboos, Bighorn Sheep, Cougar, Timber Wolf, Grizzly Bear, Mt. Robson, Berg Lake, and Yamnuska. Fonds also includes approximately 40 diaries, ca. 1967-2021 and 16.5 cm. of correspondence 1987-2010
Notes
27 drawing prints moved to Oversize infofile storage under title "Artists - Glen Boles"
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
File consists of two illustrations by A. Roberge [possibly Albert Roberge of Banff/Edmonton, 1933-2012]. One illustration depicts two mountain goats standing by a steep rock face; other illustration is titled "The Rapids" and depicts a coureur de bois travelling through a river in a Hudson's Bay Co…
File consists of two illustrations by A. Roberge [possibly Albert Roberge of Banff/Edmonton, 1933-2012]. One illustration depicts two mountain goats standing by a steep rock face; other illustration is titled "The Rapids" and depicts a coureur de bois travelling through a river in a Hudson's Bay Company canoe.
File consists of drawings produced by Will Gadd as a child, ca.1968-1972; and caricatures and other drawings, possibly by Ben Gadd, from the same time period.
File consists of drawings produced by Will Gadd as a child, ca.1968-1972; and caricatures and other drawings, possibly by Ben Gadd, from the same time period.
Material Details
Illustrations consist of different media, including graphite pencils, pens, pencil crayons, markers and paint.
Fonds consists of papers, photographs and sound recording produced by and pertaining to Jimmy Simpson and the Simpson family. Material is arranged in seven series. I. Jimmy Simpson Sr. papers and photographs, ca.1901-1972, ca.74 cm of textual records, 23 photograph albums (ca.2875 prints), 425 tra…
2.5 m textual records. -- ca.1605 photographs: ca.755 prints, 410 negatives, ca.430 transparencies. -- 29 photograph albums (ca.3000 prints). -- 1 sound recording: audio disc
History / Biographical
Justin James McCarthy (Jimmy) Simpson, 1877-1972, was a trapper, guide and outfitter and lodge owner at Banff and Bow Lake, Alberta, Canada. Born in Stamford, Lincolnshire, Simpson was sent to Canada by his family in 1896. He worked briefly at Laggan (Lake Louise), Alberta for the Canadian Pacific Railway, travelled extensively and returned to the Rockies to work on the trail and trap. By the early 1900s, he was a successful guide and outfitter with Carl Rungius and the Alpine Club of Canada as clients. Starting in 1920, Simpson began building Num-Ti-Jah Lodge at Bow Lake as a base for hunting and climbing parties. Simpson and Williamina (Billie) Ross Reid, 1891-1968, married in 1916 and had three children. The lodge was run mainly by Billie Simpson and in 1945 the business was turned over to Jimmy Simpson Jr., 1922-2003 . Daughters Margaret Simpson, 1917-1941, and Mary Simpson (Hallock), 1919-2002, were internationally-famous figure skaters.
Scope & Content
Fonds consists of papers, photographs and sound recording produced by and pertaining to Jimmy Simpson and the Simpson family. Material is arranged in seven series.
I. Jimmy Simpson Sr. papers and photographs, ca.1901-1972, ca.74 cm of textual records, 23 photograph albums (ca.2875 prints), 425 transparencies. Includes business and personal correspondence, business records and subject files, 1903-1972; literary papers, 1912-1972; and other papers, 1903- 1957. Business records pertain mainly to guiding, outfitting and hunting operations. Correspondents include Carl Rungius, J. Monroe Thorington, L. S. Amery, Louis Agassiz Fuertes, William S. Ladd, C. Hart Merriam, Allan Brooks and others; also federal and provincial government departments, Canadian Pacific Railway, etc., regarding hunting, game regulations, park boundaries, licences, permits, horses, etc. Albums pertain mainly to hunting trips, including those with Carl Rungius, Caroline Hinman and McAleenan family, ca.1901-ca.1920, 23 items. Transparencies pertain to McAleenan family trips.
II. Simpson family papers, photographs and sound recording, ca.1900-1987, ca.1.5 m of textual records, ca.675 photographic prints, 6 photograph albums (ca.460 prints), 410 photographic negatives, 1 sound recording. Textual records include large series of alphabetical files, 1907-1987; correspondence, ca.1910-ca.1985; school records, 1923-1936; Num-Ti-Jah Lodge registers, 1939-1957; other material, 1929-1942. Photographs pertain to Jimmy Simpson and family; friends and guests; lodges and camps, including Num-Ti-Jah Lodge; Banff home and community; pack trips; scenic views; other.
III. Billie Simpson papers, 1913-1968, 6.5 cm of textual records. Includes Billie Simpson correspondence, literary and dramatic papers.
IV. Simpson Sisters professional papers and photographs, 1929-1955, ca.20 cm and 3 v. of textual material, ca.15 cm of print material, 86 photographic prints. Material pertains to the professional skating career of Margaret Simpson and Mary Simpson.
V. Mary Simpson Hallock papers, 1960-1955, 1.5 cm of textual records.
VI. Jimmy Simpson Jr. papers, 1947-1983, 1 cm of textual records.
VII. Other material, before 1970, 1 cm of textual records and art works.
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holdi…
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holding his lacrosse net over his head.Au verso “LACROSSE GAME” trhc K.64 below encircled “112” brhc encircled “40” topped by encircled “3” vestiges of earlier drawing.
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle -…
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle - all powerful symbols.