Oil portrait of a man with short, dark hair, painted from the shoulders up in three-quarter view. He is wearing a dark red garment. He has fair skin, brown eyes and rosy cheeks. He is situated in front of a dark brown background.
Oil portrait of a man with short, dark hair, painted from the shoulders up in three-quarter view. He is wearing a dark red garment. He has fair skin, brown eyes and rosy cheeks. He is situated in front of a dark brown background.
Oil portrait of a women with short, medium brown hair and fair skin in profile. She is wearing a brown garment that blends with the background that she is situated in, which is split vertically off-center to the right; the left side of the background is a deep green colour, while the right side is …
Oil portrait of a women with short, medium brown hair and fair skin in profile. She is wearing a brown garment that blends with the background that she is situated in, which is split vertically off-center to the right; the left side of the background is a deep green colour, while the right side is a light brown. The bottom edge of the painting is unfinished.
Metal coil-bound sketchbook with patterned black and white covers - the back cover has a green tint to the white parts, unsure if this was the original colour and the front cover is simply faded or if the back cover was dyed or tinted green later. Front cover has adhered paper label with manufactur…
Metal coil-bound sketchbook with patterned black and white covers - the back cover has a green tint to the white parts, unsure if this was the original colour and the front cover is simply faded or if the back cover was dyed or tinted green later. Front cover has adhered paper label with manufacturer name and space for an owner’s name - brand reads “GYRAL, Patent Pending.” Contents include sketches of possible Christmas cards, figure studies, notes, skiers, church/funeral scenes from Morley, sketches for paintings, geometric plans for tepees, and more.
Watercolour still-life painting of an orange and an apple in front of a tan and blue bowl sitting on its side. Objects are placed against a dark green backdrop.
Watercolour still-life painting of an orange and an apple in front of a tan and blue bowl sitting on its side. Objects are placed against a dark green backdrop.
Watercolour portrait of a Royal Canadian Mounted Police member, or “mountie”. He is standing, wearing a tan hat, a red jacket, blue pants, brown shoes, and is holding a circular length of rope.
Watercolour portrait of a Royal Canadian Mounted Police member, or “mountie”. He is standing, wearing a tan hat, a red jacket, blue pants, brown shoes, and is holding a circular length of rope.
A detailed sketch of the 1951 Christmas card. Catharine is cooking up some food at the rear of the vehicle, while Peter is facing the mountains reading a newspaper. In the foreground there are multiple animals surrounding the couple, and mountains in the background. On the top edge “SEASONS GREETIN…
A detailed sketch of the 1951 Christmas card. Catharine is cooking up some food at the rear of the vehicle, while Peter is facing the mountains reading a newspaper. In the foreground there are multiple animals surrounding the couple, and mountains in the background. On the top edge “SEASONS GREETINGS,” and “CATHARINE AND PETER” and “Peter Whyte 1951” is written on the bottom edge.
A rough sketch of the 1951 Christmas card. Catharine is cooking at the back of the vehicle while Peter appears to be reading at the front. They are surrounding by animals with birds flying in the sky.
A rough sketch of the 1951 Christmas card. Catharine is cooking at the back of the vehicle while Peter appears to be reading at the front. They are surrounding by animals with birds flying in the sky.
A rough sketch of the 1947 Christmas card. A figure stands in the opening of the Dutch door while the animals surround the cabin. Written on the top edge “SEASONS GREETINGS,” along the bottom edge “CATHARINE AND PETER,” “Peter Whyte BANFF.” Near the BRC “6 1/2” and close to the TRC “3 1/2,” besides…
A rough sketch of the 1947 Christmas card. A figure stands in the opening of the Dutch door while the animals surround the cabin. Written on the top edge “SEASONS GREETINGS,” along the bottom edge “CATHARINE AND PETER,” “Peter Whyte BANFF.” Near the BRC “6 1/2” and close to the TRC “3 1/2,” besides both numbers it appears to say “inches.”verso: landscape with an artist sitting at the top of the hill painting, there is a plane and a mountain in the background. In the BLC there are ink scribbles and “Peter Whyte” as a practice signature and the initials “P.W.”
A detailed sketch of the 1947 Christmas card. Animals join Catharine at the Dutch door of her home where she is serving them some food. On the top edge of drawing is reads “SEASONS GREETINGS” and along the bottom of the page “CATHARINE AND PETER” and “Peter Whyte 47 BANFF.” In the BLC “Catharine” i…
A detailed sketch of the 1947 Christmas card. Animals join Catharine at the Dutch door of her home where she is serving them some food. On the top edge of drawing is reads “SEASONS GREETINGS” and along the bottom of the page “CATHARINE AND PETER” and “Peter Whyte 47 BANFF.” In the BLC “Catharine” is written.Inside the fold of the paper you can see a simple sketch of the floor plan of their cabin (main level), and inside one room it reads “kitchen.” On the bottom half of the page there is multiple squirrels drawn out. verso: there is a rough sketch of what looks like a landscape, with multiple birds drawn around it.
Detailed sketch of the 1947 Christmas card. Catharine is in her home serving the animals some kind of food from the Dutch door. On the top section of the drawing it reads “SEASONS GREETINGS” and in the BLC of the sketch “CATHARINE AND PETER.” In the BRC of the sketch you can see the faint signature…
Detailed sketch of the 1947 Christmas card. Catharine is in her home serving the animals some kind of food from the Dutch door. On the top section of the drawing it reads “SEASONS GREETINGS” and in the BLC of the sketch “CATHARINE AND PETER.” In the BRC of the sketch you can see the faint signature of Peter, and the year writen as “’47.”