Sub-series consists of registers placed and maintained in ACC huts and clubhouses. Includes registers for: A. O. Wheeler Hut, Abbot Pass Hut, Banff Clubhouse, Balfour Pass Hut, Bow (Glacier) Hut, Canmore Clubhouse, Elizabeth Parker Hut, Fairy Meadows Hut, Fay Hut, Fryatt Hut, Glacier Circle Hut, Graham Cooper Bivouac Hut, Great Cairn Hut, Memorial Hut, Mount Robson Hut, Mount Seymour Cabin, Neil Colgan Hut, Peter and Catharine Whyte Hut (Peyto Hut), R. C. Hind Hut, Ralph Forster Hut, Sapphire Col Hut, Saskatchewan Glacier Hut, Seaver Cabin, Scott Duncan Hut, Stanley Mitchell Hut, Vermilion Cabin and Wates-Gibson Memorial Hut.
Language
English
Finding Aid
Inventory available in this database; select Alpine Club of Canada - inventory from list
Related Material
Forms Sub-series I.C.1. Hut and clubhouse registers of the Alpine Club of Canada fonds. Other records pertaining to huts and clubhouses are found in Series I.A. Administrative records, sub-series 1 to 3. Registers for government cabins can be found in the Parks Canada fonds (M317).
A child from a dying planet is sent to Earth, where he is brought up by human parents and poses as a newspaper reporter, becoming Superman when necessary to use his special powers to save others.
Cast:
Superman: Marlon Brando, Gene Hackman, Christopher Reeve, Ned Beatty, Jackie Cooper, Glenn Ford, Trevor Howard, Margot Kidder, Valerie Perrine, Maria Schell, Terence Stamp, Phyllis Thaxter, Susannah York.
Superman II: Gene Hackman, Christopher Reeve, Ned Beatty, Jackie Cooper, Sarah Douglas, Margot Kidder, Jack O'Halloran, Valerie Perrine, Susannah York, Clifton James.
Superman III: Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Annie Ross, Pamela Stephenson, Robert Vaughn, Margot Kidder.
Superman IV: Christopher Reeve, Gene Hackman, Jackie Cooper, Marc McClure, Jon Cryer, Sam Wanamaker, Mark Pillow, Mariel Hemingway, Margot Kidder.
Superman returns: Brandon Routh, Kate Bosworth, James Marsden, Frank Langella, Eva Marie Saint, Parker Posey, Kal Penn, Sam Huntington, Kevin Spacey.
Contents
Superman, the movie (Expanded ed., 151 min., 1978) / Alexander Salkind presents an Alexander and Ilya Salkind production in a Richard Donner film ; produced by Pierre Spengler ; story by Mario Puzo ; screenplay by Mario Puzo, David Newman, Leslie Newman and Robert Benton ; directed by Richard Donner -- Superman II (The Richard Donner cut, 116 min., 1980) / Alexander Salkind presents an Alexander and Ilya Salkind production ; produced by Pierre Spengler ; producer 2006 reconstruction, Michael Thau ; story by Mario Puzo ; screenplay by Mario Puzo, David Newman and Leslie Newman ; directed by Richard Donner -- Superman III (125 min., 1983) / Alexander Salkind presents ; produced by Pierre Spengler ; screenplay by David and Leslie Newman and Robert Benton ; directed by Richard Lester -- Superman IV, the quest for peace (90 min., 1987) / rWarner Bros. Pictures presents ; a Cannon Group, Inc. Golan-Globus production ; produced by Menahem Golan and Yoram Globus ; story by Christopher Reeve and Lawrence Konner & Mark Rosenthal ; screenplay by Lawrence Konner & Mark Rosenthal ; directed by Sidney J. Furie -- Superman returns (154 min., 2006) / Warner Bros. Pictures presents in association with Legendary Pictures and Bad Hat Harry Productions ; produced by Jon Peters, Bryan Singer, Gilbert Adler ; screenplay by Michael Dougherty & Dan Harris ; directed by Bryan Singer.
Notes
Contains still photography by Eddie Hunter and Bruno Engler in Superman III
Superman contains scenes filmed near High River, Alberta and the Kananaskis Valley
Superman II contains scenes filmed on the Athabasca Glacier
Starring Joel McCrea as an ex-rodeo start turned sheep farmer, Mustang Country is an exciting family adventure set in the wilderness. With the help of an orphaned Native American teen (Nika Mina), a mare called Rosie, and a scene-stealing dog named Luke, Dan (McCrea) tracks down a magnificent black stallion along the Canadian border circa 1925. Filmed on location in Banff National Park near Alberta, Canada, and co-starring Patrick Wayne (son of John) and Robert Fuller, this appealing film was the final movie starring Western favorite Joel McCrea" (back of DVD)
Notes
Originally released as motion picture in 1976
Still photography by Bruno Engler
Bonus features include: Publicity stills; scene stills; behind-the-scenes photos ; movie poster; lobby cards; TCMDb article.
"Clint Eastwood directs and stars in this international intrigue action thriller that takes place on the Swiss Alps. Hemlock,m a retired professional assassin (Eastwood) who has turned toward a calmer pursuit of art collection, is suddely forced out of retirement to hunt a deadly double agent who murdered a close friend. The hunt takes Eastwood on a breathtaking journey up the Swiss Alps with a team of mountain climbers - one of whom is the man he seeks, though his identity is as yet unknown. This top-notch action film, based on the novel by Trevanian, features some of the most exciting mountain climbing sequences ever filmed" (from back of DVD)
A dance hall singer and widowed farmer both become victims of a treacherous gambler. Abandoned in the Northwest wilderness, Kay, Matt and Matt's young son face attacks and a dangerous journey down a raging river. Fighting for survival and justice, Kay and Matt form an unexpected bond. (from Aurora
Notes
Originally released as a motion picture in 1954
Filmed in the Rocky Mountains including Moberly Flats, Maligne Canyon in Jasper National Park, Bow Falls in Banff National Park, and the Bow River near Seebe
Diversity, equity, accessibility, and inclusion in all aspects of museums’ structure and programming are top issues in the field today – and in the overall arts/culture sector. Much has been written, from various perspectives, over several decades. Yet, a lack of diversity remains and exclusive practices and inequities persist in all types of museums.
A go-to resource for readers interested in learning about diversity and inclusion work in the field – past, present and future. This edited collection of the most important essays, speeches, and reports on these topics seeks to facilitate a much-needed intergenerational dialogue that builds on lessons from the past, broadens thinking about the many different facets of this complex work, and ignites inspiration for continuing to correct inequities across museums of all types, sizes, and locations.
In this book compiled and edited by Dr. Johnnetta Betch Cole, who has served as both director of the Smithsonian National Museum of African Art and as the president of both historically Black colleges for women in the United States, Spelman College and Bennett College (a distinction she alone holds) and Laura Lott, president and CEO of the American Alliance of Museums, (the first woman to the lead the organization), thought leaders in the museum field present their research, analysis and work to answer some of the most challenge questions facing the museum field. Why do these problems persist? How can a new generation of museum leaders champion change to better represent the communities that museums strive to serve and engage? What can we learn from those who have been observing, experiencing, and writing about these issues? -- From back cover
Contents
Flies in the Buttermilk: Museums, Diversity, and the Will to Change / Lonnie G. Bunch III ; Museums, Racism, and the Inclusiveness Chasm / Carlos Tortolero ; Museums, Diversity, and Social Value / Johnnetta Betsch Cole ; Women's Locker Room Talk: Gender and Leadership in Museums / Kaywin Feldman ; Twin Threats: How Ignorance and Instrumentality Create Inequality and Injustice / Darren Walker ; The Leadership Imperative: Diversity, Equity, Accessibility, and Inclusion as Strategy / Laura L. Lott ; History That Promotes Understanding in a Diverse Society / Cinnamon Catlin-Legutko ; Pipeline Is a Verb: Field Notes on the Spelman College Curatorial Studies Pilot Program / Andrea Barnwell Brownlee ; Museums and ADA at 25: Progress and Looking Ahead / Beth Bienvenu ; Catalyzing Inclusion: Steps toward Sustainability in Museums / Natanya Khashan ; It's Time to Stop and Ask "Why" / Lisa Sasaki ; Much Has Been Taken, but All Is Not Lost: The Restorative Promise of First-Voice Representation / Eduardo Diaz ; No Longer Hiding in Plain Sight / William Underwood Eiland ; The National Museum of the American Indian: Whence the "Art Object"? / W. Richard West Jr. ; Disability and Innovation: The Universal Benefits of Inclusive Design / Haben Girma ; Maybe This Time: A Personal Journey toward Racial Equity in Museums / Elaine Heumann Gurian ; Museum Musings: Inclusion Then and Now / Celine Shellman
Western Canada has figured historically as a focus point for new directions in human thought and action, migrations of the mind and body, and personal journeys of both a substantial and transcendental nature. The essays in Finding Directions West interrogate the meaning of those journeys, their reality, their memory, and their constructed identities within Western Canada itself. The book situates landscapes and peopled places in the West within the larger study of Western Canada and its transborder relationships. It draws scholars from a vareity of disciplines within history, from gender studies, to museum studies, to environmental history, in order to examine afresh Western Canada as a place for finding new directions in the human experience. -- From back cover
Contents
Partial List of Contents: Colonizer or Compatriot?: A Reassessment of Reveren John McDougall / Will Pratt ; "The Country Was Looking Wonderful": Insights on 1930s Alberta from the Travel Diary of Mary Beatrice Rundle / Sterling Evans ; Mountain Capitalists, Space, and Modernity at the Banff School of Fine Arts / PearlAnn Reichwein and Karen Wall
In 1795 the Hudson's Bay Company established Edmonton House and the North West Company Fort Augustus a few kilometres downstream from the present day city of Edmonton. Although both posts were moved several times, they operated side by side as the major administrative, trade, and provisioning centres on the North Saskatchewan River from 1795 to 1821, when the companies merged.
The post journals and district reports from Edmonton House for the period from 1806 to 1821 are reproduced verbatim in this volume. Long available only to researchers with access to the collections of the Hudson's Bay Company Archives, these journals and district reports provide a detailed day-by-day account of the operations of Edmonton House during this crucial period. They provide direct insight into the Aboriginal, social, and economic history of the region, and new information on the foundation of the Red River settlement adn the struggle for control of the trade in the Athabasca region. -- From back cover
Contents
Edmonton House Post Journals, 1806-1921 ; District Reports, 1816-1821
During the 1820s, Edmonton House re-emerged as the headquarters of a much larger Saskatchewan trading District of the Hudson's Bay Company. Its fur-gathering larger hinterland extended from the southern edges of the boreal forest near present-day Westlock, Alberta, south to the Missouri and Yellowstone Rivers, and from the confluence of the North and South Saskatchewan Rivers west to the Rocky Mountains - in short, virtually all of what is now central and southern Alberta, and parts of Saskatchewan and Montana.
[...]
The Bow River Expedition, 1822-1823
Seeking to expand the fur trade more completely into what is now southern Alberta, and northern Montana, the Hudson's Bay Company dispatched an expedition of officers and men up the South Saskatchewan River in 1822, with excursions to the Red Deer, Bow, and Oldman Rivers. Through circumstances, such as hostilities by certain Aboriginal groups and the scarcity of timber, persuaded the Company not to build a permanent post during this time, the journal of the expedition contains a wealth of information about the land and the people living on it. --From back cover
Contents
Edmonton House Post Journals, 1821-26 ; Edmonton District Reports, 1823-24 ; Bow River Expedition Journal ; Bow River District Reports
A collection of essays about reconciliation and anti-racism by Indigenous and non-Indigenous contributors from across Canada.
Contents
Introduction / Danielle Metcalfe-Chenail; The importance of rivers / Carleigh Baker; Dropped, not thrown / Joanna Streetly; Drawing lines / Erika Luckert; Jawbreakers / Donna Kane; This many-storied land / Kamala Todd; The perfect tool / Zacharias Kunuk; To kill an Indian / Steven Cooper with Twyla Campbell; Two-step / Katherin Edwards; Echo / Carol Shaben; Mother tongues / Katherine Palmer Gordon; White Aboriginal woman / Rhonda Kronyk; Colonialism lived / Emma Larocque; Marking the page / Lorri Neilsen Glenn; Lost fires still burn / Carissa Halton; From Aha to AHO! / Antione Mountain; A conversation between Shelagh Rogers and the Honourable Justice Murray Sinclair.
This book examines the character and relevance of remembrance, inviting readers to think creatively and deeply about the ways that memories are transmitted, recorded, and distorted through time and space. Ranging from molecular genetics and astrophysics to law and Indigenous oral histories, the essays draw from a diverse group of contributors to capture different perspectives on memory. Reflecting upon memory in engaging and unexpected ways, this collection offers an interdisciplinary roadmap for exploring how, why, and when we remember. -- Provided by publisher.
Contents
Introduction -- Healing through culture -- Ecological amnesia -- Climate tales -- Making ruins -- Timothy Findley's the wars -- Echoes across generations -- Reconciliation pole -- First light -- Corroboration -- Ships at sea -- Constructed futures -- Artistic silhouettes -- Material past -- Critical periods and early experience -- Releasing trauma -- A fishy story -- Reconstructing the past -- Documents of dissent -- Anthems -- In defence of forgetting -- Monuments in stone and colour -- Microcosmos -- Time, oral tradition, and technology -- Global 1918 -- Reweaving the past -- The digital shoebox -- Indigenous storytelling -- Self, lost and found.
A reference for BC Indigenous communities and museums, created by and for Indigenous people working in repatriation. -- From back cover
Contents
1. Introduction -- 2. Organizing a successful repatriation -- 3. Conducting research -- 4. Repatriation from the royal BC museum -- 5. Repatriation for other institutions -- 6. For institutions wishing to repatriate to Indigenous Peoples in BC -- 7. Case study: repatriation journey of the Haida Nation -- APPENDIX -- A. Glossary of terms -- B. Indigenous museums and cultural centres in Canada -- C. Organizational templates, procedures and examples -- D. Fundraising resouces -- E. Sample letters to museums -- F. Tips for planning for travel and transport -- G. Global museums with major indigenous collections from BC -- H. Resources on education in indigenous museology -- I. Frequently asked questions about repatriation -- J. Repatriation stories.
Publication associated with the Russian Antique Salon , pertains to Nicholas de Grandmaison and includes images from the Whyte Museum of the Canadian Rockies archive and art collections.
Notes
Publication is in Russian using Cyrillic script with partial, separate, typed translation to English
compiled by Lesia Szwaluk, Executive Director, Ukrainian Canadian Foundation of Taras Shevchenko and Andrea Malysh, Program Managaer, Canadian First World War Internment Recognition Fund
Publisher
[Winnipeg] : Ukrainian Canadian Foundation of Taras Shevchenko & Canadian First World War Internment Recognition Fund
In Canada's history - special supplement to Beaver Magazine/Canada's History, to be display until March 31, 2010
Partial contents: History in the making / Anne Tenning, pertaining to stoires of residential schools and First Nations; Rember / Blake Seward, pertaining to war veterans