File consists of 7 published paperback booklets. Contents include 3 copies of "Dr. A.W. Chase's Calendar Almanac" dated 1931, 1933 and 1934 respectively; 2 copies of "Dodd's Almanac and Household Hints" dated 1933 and 1934; one copy of "Things Worth Knowing: Reliable Recipes, Valuable Formulas and …
Published by Murray Printing Co. Ltd.; The Dodds Medicine Co. Ltd.; Dr. Williams Medical Co.; and The W.H. Comstock Co. Ltd
Date Range
[ca. 1895]
1908
1927
1931
1933
1934
Physical Description
2 cm of textual records
Scope & Content
File consists of 7 published paperback booklets. Contents include 3 copies of "Dr. A.W. Chase's Calendar Almanac" dated 1931, 1933 and 1934 respectively; 2 copies of "Dodd's Almanac and Household Hints" dated 1933 and 1934; one copy of "Things Worth Knowing: Reliable Recipes, Valuable Formulas and Methods of Home Treatment for Common Diseases", annotated on the back cover in blue/purple ink with recipe for a health drink.; and one copy of "Dr. Morse's Indian Root Pills", stamped "D.C. McDougall Morley, AB" on the back cover.
Includes index and bibliographical references - Dr. Brett - Hot Springs - Mineral Water - Banff Lithia Water - Dr. Brett Hospital - history of various buildings on site - daily functions of sanitarium
Not a technical guide on snowboarding but, rather, a very personal approach to how to think about mountains, snow, and adventure, The Art of Shralpinism reflects the remarkable journey of snowboarding superstar Jeremy Jones. Drawing on the hundreds of journals he has kept over the years, Jones offers intriguing snapshots of time and place that include his own on-the-slope stories and white-out moments, as well as those of other prominent adventurers such as Jimmy Chin, Zahan Billimoria, and Christina Lusti. Shralpinism is a compendium of lessons hard won: quick tips, sound advice, and impactful stories. Learn which aspects of avalanche training are most crucial to absorb, ways to anticipate slope behavior or recognize clean lines, how to cut a cornice or develop safety protocols, how to build a fitness routine, the art of the turn, and keys to developing terrain and skills progression. Jones discusses the importance of mentors, the necessity and intensity of practice, the nature of risk, and the shape of failure. But at its heart, The Art of Shralpinism revels in the power of experience, the impact of stoke, and the beauty that underscores all outdoor adventure. -- From Publisher
Contents
Building a foundation -- The resort and progression -- Mistakes, goals, mentors, and partners -- Risk -- Mountains -- Avalanche safety -- Health and fitness -- Gear and backcountry travel -- Life of glide -- Alaska and the birth of TGR -- Raising shredders -- The mountains are changing.
Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, The Arts of Indigenous Health and Well-Being addresses the effects of artistic endeavour on the "good life", or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being. In this interdisciplinary collection, Indigenous knowledges inform an approach to health as a wider set of relations that are central to well-being, wherein artistic expression furthers cultural continuity and resilience, community connection, and kinship to push back against forces of fracture and disruption imposed by colonialism. The need for healing--not only individuals but health systems and practices--is clear, especially as the trauma of colonialism is continually revealed and perpetuated within health systems. The field of Indigenous health has recently begun to recognize the fundamental connection between creative expression and well-being. This book brings together scholarship by humanities scholars, social scientists, artists, and those holding experiential knowledge from across Turtle Island to add urgently needed perspectives to this conversation. Contributors embrace a diverse range of research methods, including community-engaged scholarship with Indigenous youth, artists, Elders, and language keepers. The Arts of Indigenous Health and Well-Being demonstrates the healing possibilities of Indigenous works of art, literature, film, and music from a diversity of Indigenous peoples and arts traditions. This book will resonate with health practitioners, community members, and any who recognize the power of art as a window, an entryway to access a healthy and good life. -- Provided by publisher.
Contents
"Art for life's sake": approaches to indigenous arts, health, and well-being / Nancy Van Styvendale, J.D. McDougall, Robert Henry, and Robert Alexander Innes -- What this pouch holds / Gail MacKay -- Baskets, birchbark scrolls, and maps of land: indigenous making practices as oral historiography / Andrea Riley-Mukavetz -- For Kaydence and her cousins: health and happiness in cultural legacies and contemporary contexts / Adesola Akinleye -- Stories and staying power: artmaking as (re)source of cultural resilience and well-being for Panniqtumiut / Alena Rosen -- Healthy connections: facilitator's perceptions of programming linking arts and wellness with indigenous youth / Mamata Pandey, Nuno F. Ribeiro, Warren Linds, Linda M. Goulet, Jo-Ann Episkenew, and Karen Schmidt -- The doubleness of sound in Canada's Indian residential schools / Beverley Diamond -- Kissed by lightning: mediating Haudenosaunee traditional teachings through film / Nicholle Dragone -- Minobimaadiziwinke (creating a good life): native bodies healing / Petra Kuppers and Margaret Noodin -- Body counts: war, pesticides, and queer spirituality in Cherri´e Moraga's Heroes and saints / Desiree Hellegers -- The language of soul and ceremony / Louise Halfe -- Sa^kihiwa^win: land's overflow into the space-tial "otherwise" / Karyn Recollet.
Three cotton bandages.a) A square bandage of unbleached cotton fabric stamped all over with black letters “O.B.S.T.”. One side of the bandage has a narrow strip of the same material joined with a flat-felled seam. The edges are unfinished (torn from a larger piece?). b) A torn square of unbleache…
43.0 (a); 18.5 (b); 17.7 (c) x 50.0 (a); 18.5 (b); 17.7 (c) cm
Description
Three cotton bandages.a) A square bandage of unbleached cotton fabric stamped all over with black letters “O.B.S.T.”. One side of the bandage has a narrow strip of the same material joined with a flat-felled seam. The edges are unfinished (torn from a larger piece?). b) A torn square of unbleached cotton fabric with “C.R.W.” stencilled in two places on both sides. This bandage is wrapped around a wad of cotton batting and secured with two straight pins. c) A torn square of unbleached cotton fabric with “W Compress Gauze” written in black at the centre. This bandage is wrapped around a wad of cotton batting and a small piece of cotton gauze.
