Line renderings of stylized animal and two birds; left walrus facing to the right, owl facing straight ahead, legs apart, loon facing left, wings stretched up at back; the images cover most of the space; to the right an embossed circle, 2.8 dia. letters inside; written on back brc: #41.Bottom reads…
Line renderings of stylized animal and two birds; left walrus facing to the right, owl facing straight ahead, legs apart, loon facing left, wings stretched up at back; the images cover most of the space; to the right an embossed circle, 2.8 dia. letters inside; written on back brc: #41.Bottom reads “23/50 Pitseolak”.Back reads “#41”.Canadian Eskimo Arts Council (CEAC)embossed chop in br.
In the upper left corner of this painting there is an owl swooping down to the lower right to catch a rabbit. The white rabbit is in mid jump and is running toward the lower right corner. The scene takes place in the winter, therefore the ground is snow covered and the trees and shrubs that are on …
In the upper left corner of this painting there is an owl swooping down to the lower right to catch a rabbit. The white rabbit is in mid jump and is running toward the lower right corner. The scene takes place in the winter, therefore the ground is snow covered and the trees and shrubs that are on both sides of the animals have snow on thier branches. The overall colour of this painting is blue with some yellow in the owl's wing colour.
Very tiny standing owl; carved owl, natural features of the bone emphasizes white front and back, and grey sides, head and feet; drilled round eyes, shaped beak; round hole drilled into bottom of right foot
Very tiny standing owl; carved owl, natural features of the bone emphasizes white front and back, and grey sides, head and feet; drilled round eyes, shaped beak; round hole drilled into bottom of right foot
Pastel portrait of a First Nations man who is facing toward the left of the piece. The man is resting his face on his hand and he is visible from only the neck up. On his head he is wearing a red kerchief. His hair is in two braids, the one on the left of his head is only slightly visible, the o…
Pastel portrait of a First Nations man who is facing toward the left of the piece. The man is resting his face on his hand and he is visible from only the neck up. On his head he is wearing a red kerchief. His hair is in two braids, the one on the left of his head is only slightly visible, the one on the right is completely visible. He is wearing a blue scarf or tie around his neck. Identified by Rod Green at Masters Gallery as Sacred Owl.