Christmas card sketch, resembling the final version of the 1951 card. Animals gather around Catharine and Peter’s vehicle waiting for Catharine to finish cooking. Peter sits on the roof reading. One of the bears is sitting by a stool with a fork in hand. Near the middle of the bottom edge of the pa…
Christmas card sketch, resembling the final version of the 1951 card. Animals gather around Catharine and Peter’s vehicle waiting for Catharine to finish cooking. Peter sits on the roof reading. One of the bears is sitting by a stool with a fork in hand. Near the middle of the bottom edge of the paper it says “BEST WISHES PETER”verso: rectangular box drawn that is blank, that could have been used for another sketch.
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
Peter and Catharine are sitting on stools at their easels painting a mountain landscape in front of them. There is a group of animals sitting around them watching them paint. On the bottom edge of the drawing it says “SEASONS GREETINGS 1954 PETER AND CATHARINE”verso: rough sketch of the same drawin…
Peter and Catharine are sitting on stools at their easels painting a mountain landscape in front of them. There is a group of animals sitting around them watching them paint. On the bottom edge of the drawing it says “SEASONS GREETINGS 1954 PETER AND CATHARINE”verso: rough sketch of the same drawing that is on the front side. This image though is only of Peter painting, a rough idea of where Catharine would be sitting, and the moose.
An artist is sitting on a stool in front of a massive canvas resting on an easel. The figure is painting a mountain scene with tubs of paint around him, and a supply box off to his left.verso: signed by Peter Whyte with the presumed date: “1928 or 29 by Peter Whyte”
An artist is sitting on a stool in front of a massive canvas resting on an easel. The figure is painting a mountain scene with tubs of paint around him, and a supply box off to his left.verso: signed by Peter Whyte with the presumed date: “1928 or 29 by Peter Whyte”
Lightly and loosely drawn couple of people sitting on stools and what could be a bar. There is a door at the very left of the drawing, and the two people appear to be looking out a window.
Lightly and loosely drawn couple of people sitting on stools and what could be a bar. There is a door at the very left of the drawing, and the two people appear to be looking out a window.
A figure study of a man who is just wearing underwear. He has his left leg raised on a stool, and is leaning forward balancing on his arm and knee. To the left of the head there is a doodle of a head, and to the right there is reference lines to how the man’s head is positioned. In the BLC there is…
A figure study of a man who is just wearing underwear. He has his left leg raised on a stool, and is leaning forward balancing on his arm and knee. To the left of the head there is a doodle of a head, and to the right there is reference lines to how the man’s head is positioned. In the BLC there is a quick sketch of a Royal North West Mountain Police that is riding on a horse.