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Canadian cinema in the new millennium
https://archives.whyte.org/en/permalink/catalogue25699
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 06.3 C23c
- Responsibility
- Edited by Lee Carruthers and Charles Tepperman
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2023
- Physical Description
- xiv, 416 pages : illustrations ; 23 cm
- Subjects
- Film making
- Films
- Motion picture
- Canada
- History
- Abstract
- At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fueled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping a vibrant conversation about Canadian cinema alive.-Provided by publisher.
- Contents
- Introduction: Towards a renewed critical optics for contemporary Canadian cinema -- PART ONE: FEATURE FILMS AND FILMMAKERS -- 1 Speaking across borders: Xavier Dolan and the transnationalism of contemporary auteur cinema in Quebec / Robinson, Ian -- 2 An equivocal auteur: gauging style and substance in the films of Denis Villeneuve / Carruthers, Ian -- 3 A "momentary melancholy": female desire and the promise of happiness in the cinema of Sarah Polley / Horeck, Tanya -- 4 Indigenous women's cinema in Quebec: the works and words of Mohawk filmmaker Sonia Bonspille Boileau / Bertrand, Karine -- 5 Le cine´ma a` l'estomac: Denis Co^te´ and the new wave of Quebec cinema (2004-19) / Sirois-Trahan, Jean-Pierre -- 6 Fluid privilege: reading "Canadian" water in wet bum (2014) and sleeping giant (2015) / Vanderburgh, Jennifer -- 7 Toronto's new diy filmmakers / Davidson, David -- 8 Northern frights: Canadian horror in the twenty-first century / Leeder, Murray -- PART TWO: DOCUMENTARY AND EXPERIMENTAL FILMMAKING -- 9 Beauty day and the crises of self-directed work / Meneghetti, Mike -- 10 Mythologizing Manitoba: the negated truth of my Winnipeg / Siegel, Miriam and Keil, Charlie -- 11 Indigenizing the archive: souvenir and the NFB / Roberts, Gillian -- 12 I-doc and my-doc: bear 71 and highrise as Canadian documentaries / Feldman, Seth -- 13 Diasporic sights: trauma and representation in recent Canadian poetic cinema / Browne, Dan -- 14 dominique t. skoltz and new states of cinematic matter / Wilmink, Melanie -- PART THREE: CANADIAN FILM CONTEXTS, FESTIVALS, AND INDUSTRIES -- 15 A taxing culture: reconsidering the service production / Acland, Charles R. -- 16 collective action! unions in the Canadian film and television industry / Coles, Amanda -- 17 Making room: international co-productions and Canadian national cinema / Lester, Peter -- 18 Troubling Toronto queer festivals: transgressions in and of queer counterpublics / Mitchell, Aimee -- 19 From showcase to lightbox: programming the national on the festival circuit / Burgess, Diane
- ISBN
- 9780228015949
- Accession Number
- P2023.08
- Call Number
- 06.3 C23c
- Collection
- Archives Library
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Indigenous celebrity : entanglements with fame
https://archives.whyte.org/en/permalink/catalogue25509
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Winnipeg, Manitoba : University of Manitoba Press
- Call Number
- 07.2 A3i
- Responsibility
- Edited by Jennifer Adese and Robert Alexander Innes
- Publisher
- Winnipeg, Manitoba : University of Manitoba Press
- Published Date
- 2021
- Physical Description
- 302 pages : illustrations ; 23 cm
- Subjects
- Indigenous
- Film making
- Films
- Abstract
- Indigenous Celebrity speaks to the possibilities, challenges, and consequences of popular forms of recognition, critically recasting the lens through which we understand Indigenous people's entanglements with celebrity. It presents a wide range of essays that explore the theoretical, material, social, cultural, and political impacts of celebrity on and for Indigenous people. It questions and critiques the whitestream concept of celebrity and the very juxtaposition of "Indigenous" and "celebrity" and casts a critical lens on celebrity culture's impact on Indigenous people. Indigenous people who willingly engage with celebrity culture, or are drawn up into it, enter into a complex terrain of social relations informed by layered dimensions of colonialism, racism, sexism, homophobia/transphobia, and classism. Yet this reductive framing of celebrity does not account for the ways that Indigenous people's own worldviews inform Indigenous engagement with celebrity culture--or rather, popular social and cultural forms of recognition. Indigenous Celebrity reorients conversations on Indigenous celebrity towards understanding how Indigenous people draw from nation-specific processes of respect and recognition while at the same time navigating external assumptions and expectations. This collection examines the relationship of Indigenous people to the concept of celebrity in past, present, and ongoing contexts, identifying commonalities, tensions, and possibilities. -- Provided by publisher
- Contents
- Introduction: Indigeneity, celebrity, and fame: Accounting for colonialism / Jennifer Adese and Robert Alexander Innes ; Mino-Waawiindaganeziwin: What does Indigenous celebrity mean within Anishinaabeg contexts? / Renee E. Mazinegiizhigoo-kwe Bedard ; Empowering voices from the past: The playing experiences of retired pasifika rugby league athletes in Australia / David Lakisa, Katerina Teaiwa, Daryl Adair, and Tracy Taylor ; My mom, The ‘military mohawk princess’: Kahntinetha Horn through the lens of Indigenous female celebrity / Kahente Horn-Miller ; Indigenous activism and celebrity: Negotiating access, inclusion, and the politics of humility / Jonathon G. Hill and Virginia McLaurin ; Indigenous activism and celebrity: Negotiating access, expectation, and the politics of humility / Jonathan G. Hill and Virginia McLaurin ; Rags-to-riches and other fairytales: Indigenous celebrity in Australia 1950-80 / Karen Fox ; “Pretty boy” Trudeau vs. the “Algonquin Agitator”: Hitting the ropes of Canadian colonialist masculinities / Kim Anderson and Brendan Hokowhitu ; Famous “last” speakers: Celebrity and erasure in media coverage of Indigenous language endangerment / Jenny L. Davis ; Celebrity in Absentia: Situating the Indigenous people of the Andaman and Nicobar Islands in the Indian social imaginary / Aadita Chaudhury ; Marvin Rainwater and “the pale faced Indian”: How cover songs appropriated a story of cultural appropriation / Christina Giacona ; Collectivity as Indigenous anti-celebrity: Global Indigeneity and the Indigenous rights movement / Sheryl Lightfoot ; Makings, meanings, and recognitions: The stuff of Anishinaabe stars / w. C. Sy.
- ISBN
- 9780887559068
- Accession Number
- P2022.02
- Call Number
- 07.2 A3i
- Collection
- Archives Library
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Iva and Len Smith fonds
https://archives.whyte.org/en/permalink/descriptions356
- Part Of
- Iva and Len Smith fonds
- Scope & Content
- Fonds consists of personal and professional papers of Iva Smith, 1904-1973, and of Len Smith, 1935-1963; personal papers of Zaidee Stewart, 1905-1950; Smith family photographs, ca.1890-ca.1960; also newsclippings, tourist information, other print material. Iva Smith papers include personal correspo…
- Date Range
- [ca.1890]-1973
- Reference Code
- M367 / V590
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Album
- Negative
- Photograph print
- Textual record
- Diary
- Private record
- Published record
- Part Of
- Iva and Len Smith fonds
- Description Level
- 1 / Fonds
- Fonds Number
- M 367
- V 590
- Sous-Fonds
- M 367
- V 590
- Accession Number
- 833, 955, 1129, 1989, 2182, 2511
- Reference Code
- M367 / V590
- Date Range
- [ca.1890]-1973
- Physical Description
- 39 cm of textual records. -- ca.525 photographs : prints, negatives. -- 1 photograph album (ca.75 prints)
- History / Biographical
- Iva (Stewart) Smith , 1894-1975, and Leonard James Smith, 1890-1969, were business operators at Banff, Alberta, Canada. Iva Stewart and her mother Zaidee Stewart, 1875-1962, came to Banff as visitors in 1913 and decided to stay. Iva operated the Canadian Pacific Railway station news stand from 1914 until ca.1924. She married Len Smith in 1922.
- After working at various other CPR facilities, including Lake Louise Chalet in the 1920s and Wapta Bungalow Camp, ca.1931, Iva Smith became manager of Becker's Bungalows on Tunnel Mountain in Banff, ca.1935 Len Smith worked at the Bow River boat house and was Captain of the "Lake Minnewanka" for over thirty years. He was also an ice-maker at Edmonton, Calgary, Lethbridge and Banff, Alberta for forty-five years. Zaidee M. Stewart worked at the boat operation tea house and wrote poetry, publishing "Banff Holiday" in 1950.
- Scope & Content
- Fonds consists of personal and professional papers of Iva Smith, 1904-1973, and of Len Smith, 1935-1963; personal papers of Zaidee Stewart, 1905-1950; Smith family photographs, ca.1890-ca.1960; also newsclippings, tourist information, other print material.
- Iva Smith papers include personal correspondence, 1904-1973, and business papers pertaining to the CPR news stand, 1914-1924. Len Smith professional papers pertain to his work as boat engineer. Zaidee Stewart papers include correspondence, diaries, poetry and papers re the publication "Banff Holiday."
- Family photographs pertaining to Iva and Len Smith, family, friends and associates, activities, careers, trips and world travels; Banff people, places and events, especially Banff Winter Carnival and Banff Indian Days; film making, including Pajamas (1926) and Eternal Love (1928); Lake Louise and Lake Minnewanka areas; canoeing; scenic views; and other collected items.
- Name Access
- Smith, Iva
- Smith, Len
- Stewart, Zaidee
- Subject Access
- Community life
- Family and personal life
- Films and film making
- Access Restrictions
- No restrictions on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: basic description
- Related Material
- Artifacts transferred to Heritage collections, Whyte Museum
- Creator
- Smith, Iva
- Smith, Len
- Title Source
- Title based on contents of fonds
- Processing Status
- Processed
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Norman Luxton business documents
https://archives.whyte.org/en/permalink/descriptions54725
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of notes, advertisements and other documents pertaining to multiple businesses owned by Norman Luxton in Banff. File includes: advertising cards depicting the "Man Fish" of Lake Minnewanka at the Banff Indian Trading Post; a list of names of Stoney Nakoda community members commissione…
- Date Range
- [1915-1925]
- 1923-1924
- 1930
- [1945-1950]
- 1932
- 1938
- [1960]
- Reference Code
- LUX / I / E1 / 14
- Description Level
- 5 / File
- GMD
- Textual record
- Published record
- Private record
6 images
7 Electronic Resources
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / I / E : Collected material
- Sous-Fonds
- LUX / I : Norman Luxton sous-fonds
- Sub-Series
- LUX / I / E1 : Business records
- Accession Number
- LUX
- Reference Code
- LUX / I / E1 / 14
- Date Range
- [1915-1925]
- 1923-1924
- 1930
- [1945-1950]
- 1932
- 1938
- [1960]
- Physical Description
- 0.7 cm of textual records
- Scope & Content
- File consists of notes, advertisements and other documents pertaining to multiple businesses owned by Norman Luxton in Banff. File includes: advertising cards depicting the "Man Fish" of Lake Minnewanka at the Banff Indian Trading Post; a list of names of Stoney Nakoda community members commissioned to make souvenirs for the Indian Trading Post [1945-1950?]; flyers and tickets for film showings of “Mighty Lak’ a Rose”, “The Dawn Patrol”, “Captain of the Guard”, "Lilies of the Field" and "Make Me a Star" at the Lux Theatre between 1923 and 1938; a pamphlet pertaining to the King Edward Hotel; and stationery with letterheads promoting the King Edward Hotel and the Luxton Museum.
- Notes
- Full names of individuals listed on typed paper slip in file are provided under "Full Text" and "Name Access" fields in this entry; correct spellings under "Name Access"
- Name Access
- Luxton, Norman
- Kaquitts, George
- Hunter, John
- Hunter, Leah Rider
- Rabbit, Nelson
- Rabbit, Flora
- Hunter, Annie
- Twoyoungmen, Isaac
- Simeon, Leah
- Crawler, George
- Rider, Eli
- Soldier, Annie
- Bearspaw, Gladys
- Simeon, Mrs. Tom
- Simeon, Cinderella (Kaquitts)
- Wesley, Winnifred
- Subject Access
- Businesses
- Luxton Museum
- Lux Theatre
- Advertising
- Hotel
- Artists
- Souvenir
- Museums
- Cultural pluralism
- First Nations
- Indigenous Peoples
- Films and film making
- Geographic Access
- Canada
- Alberta
- Banff
- Morley
- Lake Minnewanka
- Access Restrictions
- Restrictions may apply
- Reproduction Restrictions
- Restrictions may apply
- Language
- English
- Conservation
- Some items placed in mylar due to thin and fragile material
- Title Source
- Title based on contents of file
- Processing Status
- Processed
Electronic Resources
Images
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potentially offensive content.
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Old Swiss Guides
https://archives.whyte.org/en/permalink/descriptions57409
- Part Of
- Bruno Engler fonds
- Scope & Content
- File pertains to 19 b&w prints of Swiss Guides, usually posed either on their own or in a group, shots from a National Film Board documentary production, the Lyall Group mountain range, and a collection of Guide pins. Also includes documents: a copy of the Kicking Horse Chronicle and the 1992 Mount…
- Date Range
- 1901-1963
- Reference Code
- V190 / VI / O / v / PA - 01 to PA - 19
- Description Level
- 5 / File
- GMD
- Photograph
14 images
- Part Of
- Bruno Engler fonds
- Description Level
- 5 / File
- Fonds Number
- M323 / S40 / V190
- Series
- VI : Retained file, O : Alphabetical order
- Sous-Fonds
- V190
- Sub-Series
- v : Old Swiss Guides
- Accession Number
- 7436
- Reference Code
- V190 / VI / O / v / PA - 01 to PA - 19
- GMD
- Photograph
- Date Range
- 1901-1963
- Physical Description
- 19 photographs : b&w ; 25.2 x 20.2 cm or smaller
- History / Biographical
- See fonds level description
- Scope & Content
- File pertains to 19 b&w prints of Swiss Guides, usually posed either on their own or in a group, shots from a National Film Board documentary production, the Lyall Group mountain range, and a collection of Guide pins. Also includes documents: a copy of the Kicking Horse Chronicle and the 1992 Mountain Guides' Ball pamphlet.
- Name Access
- Aemmer, Rudolf
- Feuz, Edmund
- Feuz, Edward
- Feuz, Edward, Jr.
- Feuz, Ernest
- Kaufmann, Christian
- Hasler, Christian
- Subject Access
- Alpine Club of Canada
- Climbing
- Films and film making
- Guides
- Guiding
- Mountains
- Mountaineering
- Mountaineers
- Portrait
- Swiss Guides
- Geographic Access
- Lake Louise
- Banff National Park
- Language
- English
- Related Material
- V190 / VI / O / v / NA - 01 to NA - 04
- Creator
- Engler, Bruno
- Title Source
- Original title kept
- Processing Status
- Processed
Images
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Old Swiss Guides - negatives
https://archives.whyte.org/en/permalink/descriptions57410
- Part Of
- Bruno Engler fonds
- Scope & Content
- File pertains to 4 b&w negatives of a commemorative plaque for Swiss Guides mounted on a rock with guide pins posed below it.
- Date Range
- 1901-1963
- Reference Code
- V190 / VI / O / v / NA - 01 to NA - 04
- Description Level
- 5 / File
- GMD
- Film
- Negative
- Part Of
- Bruno Engler fonds
- Description Level
- 5 / File
- Fonds Number
- M323 / S40 / V190
- Series
- VI : Retained file, O : Alphabetical order
- Sous-Fonds
- V190
- Sub-Series
- v : Old Swiss Guides
- Accession Number
- 7436
- Reference Code
- V190 / VI / O / v / NA - 01 to NA - 04
- Date Range
- 1901-1963
- Physical Description
- 4 photographs : b&w negatives ; 6.5 x 7.6 cm
- History / Biographical
- See fonds level description
- Scope & Content
- File pertains to 4 b&w negatives of a commemorative plaque for Swiss Guides mounted on a rock with guide pins posed below it.
- Name Access
- Aemmer, Rudolf
- Feuz, Edmund
- Feuz, Edward
- Feuz, Edward, Jr.
- Feuz, Ernest
- Kaufmann, Christian
- Hasler, Christian
- Subject Access
- Alpine Club of Canada
- Climbing
- Films and film making
- Guides
- Guiding
- Mountains
- Mountaineering
- Mountaineers
- Portrait
- Swiss Guides
- Geographic Access
- Lake Louise
- Banff National Park
- Language
- English
- Related Material
- V190 / VI / O / v / PA - 01 to PA - 19
- Creator
- Engler, Bruno
- Title Source
- Original title kept
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Peter Whyte papers and photographs
https://archives.whyte.org/en/permalink/descriptions828
- Part Of
- Peter and Catharine Whyte fonds
- Scope & Content
- Series consists of the following sub-series: 1. Personal papers, 1905-1956; 2. Correspondence, 1909-1962; 3. Financial, legal and business papers, 1914-1964; 4. Professional activities and interests, 1920-1961; 5. Photographs, ca.1900-1930. Textual records pertain to Whyte's interests, influences a…
- Date Range
- 1905-1964
- Reference Code
- M36 / S37 / V683 / I / B
- Description Level
- 3 / Series
- Part Of
- Peter and Catharine Whyte fonds
- Description Level
- 3 / Series
- Fonds Number
- M36 / V683 / S37
- Series
- I.B. Peter Whyte papers and photographs series
- Accession Number
- 3069
- Reference Code
- M36 / S37 / V683 / I / B
- Date Range
- 1905-1964
- Physical Description
- 73 cm of textual records. -- ca.3400 photographs (ca.2000 prints, ca.1400 negatives, 3 albums of ca.300 prints).
- History / Biographical
- Peter Whyte, 1905-1966, was an artist, photographer, outdoor enthusiast, traveller and philanthropist at Banff, Alberta. Born in Banff, Alberta to pioneer Banff merchant Dave White and Annie (Curren) White, Peter Whyte took advantage of the many opportunities for winter sports afforded by the mountains, becoming an accomplished skier and ski jumper. He was one of the region's first native-born painters with an intimate knowledge of the mountains. Whyte studied cartooning by correspondence and was encouraged by resident and visiting artists to pursue an art career, first at the Otis Art Institute, Los Angeles, 1923-1924, and in 1925 at the School of the Museum of Fine Arts, Boston where he met Catharine Robb.
- Peter Whyte's varied activities included driving Hollywood stars to mountain motion picture locations, escorting groups of Chinese workers for the Canadian Pacific Railway, painting with Belmore Browne and J. E. H. MacDonald and travelling around the world by steamer. Following his marriage to Catharine, their painting flourished and their involvement in early ski development at Skoki occupied their winters. The accidental death of one of their ski guests had a profound effect on Pete and they left the ski business to travel.
- During the war, Whyte seved in the reserve army, Banff Company of the Calgary Highlanders and later with the Royal Canadian Air Force as a photographer. He served briefly as an official war artist. In civilian life he resumed his art career, explored new photographic technologies and sculpted. Cataracts interupted his work during the 1950's. Declining health plagued Whyte and after a protracted illness he died in 1966. The Peter Whyte Foundation (later the Peter and Catharine Whyte Foundation) was named in his honor.
- Scope & Content
- Series consists of the following sub-series: 1. Personal papers, 1905-1956; 2. Correspondence, 1909-1962; 3. Financial, legal and business papers, 1914-1964; 4. Professional activities and interests, 1920-1961; 5. Photographs, ca.1900-1930.
- Textual records pertain to Whyte's interests, influences and friendships prior to his marriage; also to Catharine Robb Whyte, Peter Whyte's travels, artwork, photography and skiing. Includes material arising from Whyte's Army and Air Force career and his involvement in the Sky Line Trail Hikers of the Canadian Rockies and Trail Riders of the Canadian Rockies. Correspondents include Belmore Browne, John Murray Gibbon, Lawren Harris, J. E. H. McDonald, Aldro Hibbard, Carl Rungius.
- Photographs consist of 1390 negatives and ca.500 corresponding prints by Peter Whyte dating from the time he began photography, ca.1920, until his marriage to Catharine Robb in 1930. Negative formats include vest pocket (4 x 6 cm) and Ica roll film (8.3 x 11 cm). Material pre-dating 1920 may have been taken by another family member. Photographs pertain to scenic views in the Banff-Lake Louise area, Banff and area events, friends and activities, mountain trips and world travels. Also includes prints of friends, relatives and promotional views of national parks collected by Peter Whyte and photograph albums assembled by Whyte pertaining to family and friends, winter sports, Banff Winter Carnival and motor trips.
- Subject Access
- Banff
- Banff National Park
- Films and film making M
- Photography M
- Royal Canadian Air Force M
- Skiing
- Whyte, Catharine Robb M
- World War II, 1939-1945 M
- Access Restrictions
- Access to photographs requires permission in advance from the Head Archivist.
- Finding Aid
- Sub-series-level outline available. Inventory available in printed form and through this database. Photographs are described at the sub-series level only. Printed inventory provides more detail than the database for photographs.
- Related Material
- Constitutes Sous-fonds I, Series B of the Peter and Catharine Whyte fonds. Other photographs by Peter Whyte are found in Sous-fonds I, Series C.
- Title Source
- Title based on contents of series
- Content Details
- Forms part of Sous-fonds I, Series B of the Peter and Catharine Whyte fonds. With the acquisition of a vest pocket camera around 1920, at approximately 15 years of age, Peter Whyte's very prolific photographic career began. (While vest pocket images -- 4 x 6 cm. negatives -- appear in the White family collection as early as 1917, none of these can be positively identified as being taken by Peter; it seems more likely that the camera was utilized by Annie, Clifford, or even Lila, and then handed down to Peter.) The earliest photograph of Peter handling a camera was taken on a family trip to the western U.S. in 1921. Indeed, many of his early photographs were taken on these family motor camping trips. In late 1922 or early 1923, Peter acquired an Ica roll film camera (3 x 4 inch negative) which he used throughout his marriage to Catharine Robb and into the early 1930s. A large number of photographs were made with this camera, particularly in the 1923-1924 period. During his trip around the world in 1929, he returned briefly to the vest pocket format, probably for the sake of convenience.
- Processing Status
- Processed.
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Picturing indians : native Americans in film, 1941-1960
https://archives.whyte.org/en/permalink/catalogue25516
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Black, Liza
- Publisher
- Lincoln, Nebraska : University of Nebraska
- Call Number
- 07.2 B57p
- Author
- Black, Liza
- Publisher
- Lincoln, Nebraska : University of Nebraska
- Published Date
- 2020
- Physical Description
- xxi, 327 pages : illustrations ; 24 cm
- Subjects
- Indigenous
- Film making
- History
- Colonialism
- Abstract
- Liza Black critically examines the inner workings of post-World War II American films and production studios, which cast American Indian extras and actors as Native people, forcing them to come face-to-face with mainstream representations of "Indianness." -- From by publisher
- Contents
- "Just Like a Snake You'll Be Crawling in Your Own Shit": American Indians and White Narcissism ; "Indians Agree to Perform and Act as Directed": Urban Indian (and Non-Indian) Actors ; "Not Desired by You for Photographing": The Labor of American Indian (and Non-Indian) Extras ; "White May Be More Than Skin Deep": Whites in Redface ; "A Bit Thick": The Transformation of Indians into Movie Indians ; "Dig Up a Good Indian Historian": The Search for Authenticity
- ISBN
- 9780803296800
- Accession Number
- P2022.02
- Call Number
- 07.2 B57p
- Collection
- Archives Library
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Screening nature and nation : the environmental documentaries of the National Film Board, 1939-1974
https://archives.whyte.org/en/permalink/catalogue25684
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Clemens, Michael D.
- Publisher
- Athabasca, AB : AU Press
- Call Number
- 06.3 C59s
- Author
- Clemens, Michael D.
- Publisher
- Athabasca, AB : AU Press
- Published Date
- 2022
- Physical Description
- viii, 224 pages : color illustrations ; 23 cm
- Abstract
- The National Film Board of Canada (NFB) is an institution profoundly woven into the fabric of Canadian culture. The documentaries they produced not only influenced cinematic language, but their stunning portrayals of the landscape has shaped our perception of the environment and our place in it. Screening Nature and Nation examines how Canadians have engaged with these films and how the depictions of the land and its people have reflected the prevailing attitudes of the times.-- Provided by publisher.
- Contents
- Filming like a state -- Visions of the North -- Cry of the wild -- Challenge for change.
- ISBN
- 9781771993357
- Accession Number
- P2023.01
- Call Number
- 06.3 C59s
- Location
- Reading Room
- Collection
- Archives Library
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A stunning backdrop : Alberta in the movies, 1917-1960
https://archives.whyte.org/en/permalink/catalogue25734
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Graham, Mary
- Publisher
- Calgary, AB : Bighorn Books, an imprint of University of Calgary Press
- Call Number
- 06.3 G76a
2 websites
- Author
- Graham, Mary
- Publisher
- Calgary, AB : Bighorn Books, an imprint of University of Calgary Press
- Published Date
- 2022
- Physical Description
- xi, 401 pages : illustrations (some color) ; 22 x 28 cm
- Abstract
- The unconventional, untold story of Alberta's film history, defined by the terrible beautify of its pristine landscape, surprisingly important to Hollywood, and recaptured in lost or ignored Indigenous perspectives and stories. Alberta's magnificent landscape has served as a popular location for filmmakers since the dawn of the movie industry. For film pioneers, Alberta embodied the myth of the Great Northwest, a primeval mountain wilderness and the last western frontier. In turn, Canadian entrepreneurs were eager for American studios to drape Alberta landscape across the backdrop of their movies, an advertisement without equal. A Stunning Backdrop is the untold story of six rollicking decades of filmmaking in Alberta. Mary Graham draws on twelve years of exhaustive research to reveal a film history like no other, illuminating the deep importance of the province to Hollywood. She explores the often friendly partnerships between American filmmakers and Indigenous communities, particularly the Stoney Nakoda, that provided economic opportunities and, in many cases, allowed them to retain religious and cultural practices banned by the Canadian government. Beautifully illustrated with archival photography and featuring century-old set stills alongside photographs of the locations as they appear today, by Jean Becq, Solomon Chiniquay, Jeff Wallace, George Webber, and Paul Zizka, A Stunning Backdrop is the fascinating, often surprising, always unconventional story of film in a province whose rugged, compelling, multifarious, terribly beautiful landscape continues to inspire filmmakers and audiences around the world.-- Provided by publisher.
- Contents
- Early Alberta movie landscapes today -- Into the (civilized) wilds -- Snow! snow! snow! -- A rabble rouser and a dreamer -- Father of the western -- In the shadow of Castle Mountain -- Royalty, great chiefs, ranches, and rodeos -- The joy girl and others of a gregarious nature -- Mountain men -- Building the railway, movie style -- War and propaganda -- Out of the coma -- Rodeo westerns of the atomic age -- Selling sex and nostalgia -- Making Rocky Mountain movie magic -- The power of revision -- List of movies made in Alberta, 1917-1960
- Notes
- Mary Graham received the Whyte Museum's Lillian Agnes Jones Fellowship, 2021-2022.
- ISBN
- 9781773853932
- Accession Number
- P2023.20
- Call Number
- 06.3 G76a
- Collection
- Archives Library
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